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Luxembourg + Co & Jake Chapman present an exhibition dedicated to the role of nonconsensual collaborations between artists. - FAD Magazine

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Luxembourg + Co & Jake Chapman present an exhibition dedicated to the role of nonconsensual collaborations between artists.

Jake and Dinos Chapman (b.1966 and b.1962) Glitter Los Caprichos 01, 2019 Francisco de Goya, Los Caprichos, portfolio of 80 etchings reworked and ‘improved’ with glitter 17 ½ ×14 ¾ ×1 in. (44.5 × 37.5 × 2.5 cm) (framed) ©Jake and Dinos Chapman. All Rights Reserved, DACS 2022. Photo : Courtesy of the artist

Luxembourg + Co, London has announced the opening of Bad Manners, a survey exhibition devised in collaboration with artist Jake Chapman and dedicated to the role of nonconsensual collaborations between artists from the mid 19th century to the present day. From cannibalistic acts of modification of a colleague or predecessor’s work to changes of signatures to the confusion of identities between artists or their creations, this show questions the norms of collegial etiquette, originality and authorship.

Jean-Michel Basquiat (1960-1988) and Keith Haring (1958-1990) Untitled, 1980 Ink on paper 38 × 50 in. (96.5 × 127 cm) Private Collection. ©Keith Haring Foundation; © The Estate of Jean-Michel Basquiat/ ADAGP, Paris and DACS, London 2022. Photo: Courtesy of ARCHEUS / POST-MODERN

Marking the historical boundaries of the exhibition are two works. The first is a drawing by Édouard Manet from 1863, depicting his famous nude Olympia gazing directly at the viewer. The second is a watercolour by Jake Chapman from 2021, executed on top of an etching Manet prepared using this Olympia drawing. Symbolising the birth of modern art, Manet’s bold experiments of the 1860s are notoriously invested in the clever contradiction of established conventions. Seen through Chapman’s modified version, however, Olympia and her maid reveal themselves to be just as relevant today, poking at questions of gender, ethnic and class distinction that apply to the subjects of the picture as well as to its
previous and new authors.

Man Ray (1890-1976) Revolving Doors II: Long Distance, 1942 Oil on canvas board 30 × 19 7/8 in. (76.2 × 50.6 cm) Private Collection. © Man Ray 2015 Trust/DACS, London 2022. Photo : Courtesy of Di Donna Galleries
Sherrie Levine (b.1947) After Man Ray, 1985 Watercolour on paper 16 1/8 × 13 1/4 in. (41 × 33.5 cm) Private Collection © Sherrie Levine. Photo : Damian Griffiths

‘The history of “bad manners”’, argues Chapman, ‘is the history of modern art. The imperative of making something new necessarily at the expense of the old.’ Other works in the show include a table sculpture executed by Martin Kippenberger in 1987 using a Gerhard Richter Grey painting, a collage by Jean (Hans) Arp incorporating parts of Sophie Taeuber-Arp’s work, and a Double Portrait of Richard Prince and Cindy Sherman, executed in a manner that invades and confuses both artists’ methods of production as well as their personal identities.

Richard Prince (b. 1949) and Cindy Sherman (b.1954) Untitled (Double Portrait), 1980 Colour print. Edition 2/10 Each: 20 × 24 in. (50.8 × 61 cm) Ringier Collection, Switzerland ©Richard Prince; ©Cindy Sherman. Photo credit: Courtesy of Ringier AG/Collection Ringier, Switzerland; photo: Paul Seewer
Richard Prince (b. 1949) and Cindy Sherman (b.1954) Untitled (Double Portrait), 1980 Colour print. Edition 2/10 Each: 20 × 24 in. (50.8 × 61 cm) Ringier Collection, Switzerland ©Richard Prince; ©Cindy Sherman. Photo credit: Courtesy of Ringier AG/Collection Ringier, Switzerland; photo: Paul Seewer

A Proposition by Jake Chapman: With works by Jean (Hans) Arp, Enrico Baj, Jean-Michel Basquiat, Paul Cezanne, Jake and Dinos Chapman, Marcel Duchamp, Wade Guyton, Keith Haring, Georg Herold, Martin Kippenberger, Sherrie Levine, Man Ray, Édouard Manet, Richard Prince, Cindy Sherman, Jean Tinguely and Francesco Vezzoli.

BAD MANNERS: ON THE CREATIVE POTENTIALS OF MODIFYING OTHER ARTISTS’ WORK 1st MARCH – 15th MAY 2022 Luxembourg + Co

About Luxembourg + Co.
Luxembourg + Co. presents curated, museum-quality exhibitions of works by modern masters and contemporary artists in its spaces in New York and London. Since its opening, the gallery has presented a number of critically acclaimed exhibitions, ranging from individual presentations of artists such as Paul Cezanne, René Magritte, Alberto Burri, Richard Prince and Derrick Adams to thematic survey exhibitions such as Grisaille, Unpainted Paintings, The Shaped Canvas, Revisited and The Ends of Collage.

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